A digital companion to the biography Becoming Richard Pryor
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A retrospective portrait of the life of a Peoria prostitute and madam, with attention to her travails in the business and her struggles with the law.
Bill Mitchell, "Retired Peoria Madam: 'I look back and wonder how I did it all,'" Peoria Journal Star, Oct. 3, 1998.
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1946–1952: Reformers on the March 1970s & Beyond: “Pryor’s Peoria” After Pryor Peoria: An Introduction Sin City
Karen Connally (Alyce Broshe)madamPam Millerpovertyprostitution
Two snappily dressed interracial couples enjoy a night at the Famous Door
The divorce papers of Richard Pryor's parents
An unidentified group — perhaps from the extended Pryor family — standing outside The Famous Door
The Saturday Evening Post's panoramic view of Peoria, from its “valley” to its “bluff”
Richard struggled to find his way through Peoria's schools
Ann Pryor and a friend in 1950s Peoria
Richard's father and stepmother, on the town with some sharp-dressed friends
Richard's stepmother Ann, in a happy time and a sophisticated place
Sixth-grade teacher Mrs. Yingst offered a stage of sorts to the young Richard
As violence rose amongst Peoria's criminal elements, the state moved to rein the town in
When he refused to let Peoria be an “open town,” the state's attorney had his life threatened
A new partner in the coalition against vice: the Advertising and Selling Club
Peoria's reformers imagined they were pitted against bossism and corruption
Reform meant a new, professionalized city management, but did not go uncontested
The killing of the head of a gambling syndicate, in 1948, gave a huge boost to Peoria's reformers
A Happy Family in Aiken Alley
After 3 years and 2 hung juries, Collins was given the minimum sentence
Collins, labeled as the “racket boss of Peoria,” took a one-year prison term
Prostitution was tightly monitored, and even more tightly controlled, in 1950s Peoria
Three decades after the decline of Roarin' Peoria, some still missed “the Good Old Days”
Karen Connally, one of Peoria’s last madams, reflects.
The Cold War heated up in Peoria when radical singer Paul Robeson came to town
An in-depth interview of Paul Robeson, freshly banned from Peoria
The Chicago Defender sympathetically reported on Robeson's defiance of Peoria's conservatives
A detailed autopsy of the banning of Paul Robeson in Peoria, from the Baltimore Afro-American
Peoria's ban of Paul Robeson echoed its chilly reception of Frederick Douglass 65 years before
After the Robeson incident, the hammer came down on Peoria's black American Legion post
The mural, a mix of uplift and militancy, that faced Richard onstage at the Carver Center
“We must help each other” was the theme of the Carver Center's mural, “The Pursuit of Freedom”
The Carver Center's mural was taken to be a significant work of public art in Peoria.
Juliette Whittaker's first original work for the Carver Center -- a lively musical set in the Cuba of 1950
A reporter dropped into Bris Collins's tavern to take black America's pulse — and met Richard's “Uncle Dickie”
The Carver Center was thriving in 1952 — and would-be juvenile delinquent “Bob” was proof